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"I want'a tell you that I'm tired of bein' the slave of you an' your son," she burst out. "One of these days I'll be packin' up and goin' to my home folks in Nova Scotia.",

"What's Billy been doin' now?" asked Wilson anxiously.,

Billy pinched off a fox-tail stock and chewed it thoughtfully. "Maybe," he said, cheerfully. "He certainly tapped you some, but then you're always huntin' trouble, an' it serves you right.",

Billy grinned sheepishly. "We should'a killed 'em, I s'pose," he said, "but we took 'em down to the marsh an' turned 'em loose there. Maurice said that anythin' that had done the good work them weasels had, deserved life, an' I thought so too."

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It had become a regular thing for his father to say each morning, "I guess you ain't feelin' up to much today, Billy; so all you have to do is watch the gap and water the cattle"; which was quite agreeable to Billy, because it gave him an opportunity to be by himself. Men who sit in the shadow of irrevocable fate are always that way; they want to be left alone—murderers on the eve of their execution, captains on wrecked ships, Trigger Finger Tim, who was to be shot at sunrise, but wasn't.,

"No, me an' Pa an' Anse was down at the back end of the place. Ma saw him, though, an' she told me all about it. Say, maybe I wasn't mad, but I got even, all right.",

"How do you know this?" Wilson asked sharply.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.